• All Ages Welcome
• Vinyl is a general admission, standing room venue
• Tickets available online via Ticketalternative.com or without ticket fees in person at the Center Stage Box Office, M-F, 11-6. Online sales end at 4pm on day of show
Originally formed in 1985 as a Black Flag-influenced hardcore punk band called Virulence, FU MANCHU has since become one of hard rock’s most celebrated names. The band released its first single “Kept Between Trees” in 1990 and in the years following, helped give rise to a celebrated style of heavy music tagged “stoner rock” alongside peers such as Kyuss, Monster Magnet and Sleep. Since its inception, the quartet has built itself a fanatical army of loyal enthusiasts all drawn to the group’s ridiculously catchy, unpretentious music, guitar-driven sound and carefree lyrics centered on “old muscle cars, choppers, vans, skateboarding and science fiction.” Over their career, the band has released 11 albums and has performed to sold out audiences all over the world.
“a transcendent distillation of Seventies rock heaviness and Eighties punk aggression…what Black Sabbath would sound like with suntans and a fleet of dune buggies at their disposal…the ultimate desert-rock ” - ROLLING STONE
“stoner-rock icons… unyielding, heavy-rock” - SPIN
“melodic smoke-soaked bluesy-metal” - THE NEW YORK TIMES
“Invoking the legendary thunder of Blue Cheer as well as the clanging cowbell boogie of Mountain, this quartet creates a near-perfect facsimile of circa-‘71 heavy rock. ” – ENTERTAINMENT WEEKLY
“flawless…(a) Frankenstein monster from the discarded body parts of Black Sabbath and less obvious influences such as ZZ Top, Devo and the Cars.” – MTV NEWS
“The amped-up sounds of four asphalt-tearin’, Vans-wearin‘ dudes engrossed in their perpetual search for the perfect wave and the perfect riff. The music of FU MANCHU may be loud and unruly enough to send your average pop geek ducking for cover behind a stack of Emitt Rhodes LPs, but it’s also as purely Californian as anything Brian Wilson ever recorded. ” – LA WEEKLY
“In the great scheme of things, FU MANCHU stands proud in the decades-old tradition of cock-rock, a lineage which includes the likes of Grand Funk Railroad, Black Sabbath, Def Leppard, Masters Of Reality, Quicksand, ad infinitum…a stiff dose of full-on hedonism to wash away the bad taste of bland alternative bands.” – THE ONION
"If there's such a thing as fusing some soul into a doom palette, MOS GENERATOR has achieved that. Seldom will you hear an unambiguous merge between the two outside of BLACK SABBATH's "Sabotage". Tony Reed (guitar, vocals), Scooter Haslip (bass) and Shawn Johnson (drums) have tapped into a loud vibe featuring sinister and coarse nuances yet with something revealing far more heart".
Ray Van Horn Jr.- Blabbermouth
Mos Generator formed during the winter of 2000 in Port Orchard, Washington from the ashes of a ten year off & on collaboration between it's three members, all of which are long time veterans of road & studio. The need to strip down to the basics of hard rock was apparent from the start and continues to be the foundation for all the bands recent material. Mos Generator have released 5 studio albums, a retrospective album, and a live album on such labels as Roadburn, Small Stone, Ripple, Nasoni, and Lay Bare. Touring has been just as important to the profile of the band as making records has. Over the years Mos Generator has shared the stage with many great heavy rock bands and in March of 2013 they did a 26 date European tour with Saint Vitus, opening up a whole new fan base to the Mos Generator sound. On stage the band defines the word "chemistry". Revolving their sound around swagger and groove while improvising just enough to keep the songs feeling fresh from night to night...sometimes with interesting results.
Currently Mos Generator are working on a new record to be released in the spring of 2014 on Listenable Records with a European tour to follow in May. So far the new material is stretching the core sound of the band into some new and interesting directions. "We always try and push the heavy rock sound into other areas. Sometimes it's forced and sometimes we are letting natural and honest influences enter the equation. On the new material we are letting ourselves be open to whatever comes along."