• All Ages Welcome
• Vinyl is a general admission, standing room venue
• Tickets available online via Ticketalternative.com or without ticket fees in person at the Center Stage Box Office, M-F, 11-6. Online sales end at 6pm on day of show

It reads like the kind of story you’d see in an old rock rag or zine…

Four lifelong friends from Northern California grow up obsessed with the sounds of AC/DC, The Beatles, Black Sabbath, The Bee Gees and Michael Jackson. Living within a block of each other since kindergarten, they began playing anywhere and everywhere with a stage by the age of 16, taking over supper clubs, parties, and backyard barbecues. After their single “Make It Real” cracked 2 million Spotify streams, they made a collective decision to forego college and trade their small Sacramento suburb for Hollywood, forming Vista Kicks in late 2015. Living together in a cramped one-bedroom apartment, the quartet—Derek Thomas, Sam Plecker, Trevor Sutton, and Nolan Le Vine—quietly ignited a buzz throughout L.A. and beyond with two full U.S. national tours under their belts and recording with Tommy Lee behind the board.

Back in L.A., they’d sell out local shows and host intimate (and raging) booze-soaked “Vista Kick Backs” in the studio where they resided for four months. Within a year, the band’s independent 2016 Chasing Waves EP and additional singles generated over 5 million cumulative Spotify streams and 3.2 million YouTube views. However, everything set the stage for the release of their 2017 full-length, Booty Shakers Ball—self-produced by the musicians themselves and engineered by their guitar player and vocalist Sam Plecker.

Best described as a smoked-out collaboration between James Brown and Jimmy Page, it bridges eras.

“This is ‘Booty Shaking Rock and Roll’,” says Trevor. “We’re so far behind that we’re ahead; I don’t think there’s anything else like us out there. Every song is different and eclectic.”

“We’re old soul millennials,” exclaims Trevor. “We’re young and wound up like everybody else our age, but our roots go deep. We’ve found an audience that’s just like us. It’s rock music that you can shake your booty to and party.”

That’s exactly what the first single and album opener “Gotta Get Away” offers. Hinging on bluesy and ballsy riffing as well as a simmering, soulful groove, the track opens up the world of Vista Kicks, treading a fine line between rock and funk.

“Lyrically, it’s about how ambition can get in the way of love,” reveals Derek. “It happens at any age. Art gets in the way of contentment and ambition—or vice versa. It’s a conflict.”

Elsewhere on the record, “Fight The War” turns into a rallying cry for anyone chasing a dream soundtracked by bold guitars and brash vocals.

“It was about our struggles in the business,” sighs Sam. “A couple of years ago, we were doing a lot of songwriting sessions. We’d go into these sessions, and we’d be told these songs aren’t good enough. We had fans saying just the opposite. We didn’t have respect from the industry; however, the people did respect us. We sided with our fans.

“We put in our 10,000 hours since we were 16- and 17-years-old, that’s what makes our live show our strongest asset. It’s also where we have the most fun.” - Sam

In the end, they will be heard in a big way as they invite everyone to the Booty Shakers Ball.

“I hope people know these songs are there for them,” Nolan leaves off. “Hopefully, the music is useful. We’ve benefitted so much from the music of others. We want to give something back with what we do.”

“We don’t make an effort to be cool; we put all our efforts into being honest,” concludes Derek. “When you hear us, we just want you to be yourself and enjoy the moment and the ride.”

Camera Box is a blues-influenced alt rock band that formed in January 2015 as a recording project between Danny Weathers and Josh Harrison. Over the next year, the project evolved into a full-length album entitled "Physical" released in May 2016. In early 2016, Camera Box added new members J. Hilton (bass), J. Quandt (guitar), Mike Felker (drums), and Carter Culwell (keys). The group draws influences from retro blues artists (Muddy Waters, John Lee Hooker, Buddy Guy, etc.) as well as from recent blues-influenced rock artists (Jack White, The Black Keys, Cage the Elephant, The Arctic Monkeys, Alt J, etc.).

Camera Box's new album "Physical" is an experiment of sound that pulls from a collection of diverse inspiration. While leaning more towards rock than blues in overall sound, the album ranges from atmospheric, brit-rock, and singer-songwriter vibes all the way to thematic elements and hard-hitting riffs. Written out of various plights and passages of a young life, this album manages to convey the heavy heart of longing, while also carrying a sometimes "fun", "energetic", and "balls-to-the-walls" attitude.

Youth as Gold is a band from Atlanta, Georgia that was formed in early 2016 by Dillon Wilson (guitar/vocals), and Kyle Henshaw (drums). The band began as a by-product of Wilson’s indie-folk outfit “The Lonely After All” which he debuted in 2014 alongside Henshaw and other members. Friends since high school, the two followed and supported each other's musical endeavors throughout their years there. When Wilson's band crashed, post-graduation, he moved closer to Atlanta and spent the next five years experimenting and writing/recording in his bedroom. Henshaw continued to expand his technique while growing a following on youtube, and steadily putting together his home studio. When Wilson approached Henshaw in late 2015 with the idea of a new project, they were ankle deep in a collection of classic rock cassettes that they had picked up from a local thrift store. Soon after, they began the process of re-composing and recording a handful of demos that Wilson had written over the years. "Honey" was the first fruits of that undertaking- recorded in their spare time between home studios, and released in late 2016; following the release of their single: "Another One for the Birds" recorded with Kevin Sellors at the Vault Recording Lounge in Marietta, GA. Over the next year they were joined by bassist Johnny Bernd, and guitarist Harrison Miller. Boasting a sound that blends 70’s, indie/modern rock, they have gained favor amidst the trending appreciation for lo-fi indie artists and the DIY crusade. Their debut full-length record: "NO GOOD SONS," was released on August 30th, 2017, and is the band's display of their own brand of dirty, loud, blues inspired rock which they hope will come to define them.

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