ABOUT

• All Ages Welcome
• Vinyl is a general admission, standing room venue
• Tickets available online via Ticketalternative.com or without ticket fees in person at the Center Stage Box Office, M-F, 11-6. Online sales end at 4pm on day of show



It could be an actual place or just a feeling, but we’re all searching for home in one way or another. In times like these, it’s a state of mind that remains harder and harder to come by as the world gets crazier and crazier. Welshly Arms most definitely attest, and that search drives the group’s 2018 full-length debut, No Place Is Home[Republic Records].

Lacing daring alternative rock with gospel-size scope and bluesy heart, the Cleveland, OH six-piece—Sam Getz [lead vocals, guitar], Brett Lindemann [keys], Jimmy Weaver [bass], Mikey Gould [drums], Bri Bryant [vocals], and Jon Bryant [vocals]—cook up thirteen anthems that welcome listeners to chant along everywhere...

“We’ve been traveling so much over the past few years,” explains Sam. “It’s awesome to see so many new places and play to people everywhere, but you do feel a bit rootless. One month, the tour bus is our home. The next, we’re overseas living out of hotels. When we actually get back to our hometown, it doesn’t feel like home, because we’ve gotten so used to being on the road. At the same time, it’s easy to feel lost and like you don’t belong anywhere in the world. That’s the overall theme of the songs.”

Since 2013, Welshly Arms have canvased nearly every corner of the globe spurned along by a bevy of seismic and show-stopping songs. Their 2017 EP, Legendary, boasted the ubiquitous title track, “Legendary.” To date, it has earned gold certifications in Germany and Switzerland, cracked over 47 million Spotify streams in under two years, received 1.5 million Shazams, and soared to Top 15 at Alternative Radio. Meanwhile, the group’s tracks have piped through campaigns forMiller, Hulu, NFL, Indian Motorcycles, and Beck’s Beer, while “Hold On I’m Coming” roared over the trailer for Quentin Tarantino’s Academy Award-winning The Hateful Eight. Additionally, they lit up the stage at Jimmy Kimmel LIVE!and earned praise from Indie Shuffle, Baeble, Cleveland.com, and more.

In the midst of this whirlwind, the musicians rented a 19th century house in Cleveland to record what would become No Place Is Home. They transformed the remote farm house into a de facto Welshly Arms headquarters and creative haven complete with separate rooms dedicated to keyboards, guitars, writing, listening to vinyl, and, of course, recording. This served as the site of the album’s genesis.

“It just felt like a really creative and safe area to make new music,” says Jimmy. “We primarily record here, because it’s got everything we need. As years went by, we’ve accumulated so many different instruments and recording studio toys that had to often live in closets or storage units. Now, we’ve got everything in one place. You can write songs in any room. There’s no pressure. There are no time limits. It really brought a special energy to what we were doing.”

That energy courses through the first single “Sanctuary.” Propelled by powerful handclaps, sweeping organs, and robust guitars, the track stretches to cathedral-size heights highlighted by an angelic choir of voices as Sam assures, “You are, you are safe with me.”

“Lyrically, it’s all about getting through these hard times, connecting with someone, and making your safe place together,” the vocalist goes on. “We’re taking that classic sound and making it our own.”

“I just remember envisioning a whole group singing an inspiring lyric together,” adds Jimmy. “It could be ina bar or in an arena. That’s the vibe.”

Elsewhere, the album commences with rustling guitars and spaghetti western-esque whistling before snapping into a soulful strut. “Down to the River” adds a new face to revival-style energy with its swaggering punch. Then, there’s “Indestructible,” which thrives on a funkified shuffle.

“That one’s fun,” smiles Sam. “We wanted to give people something to move to. We kicked it off with a feeling. It’s about a woman who’s too strong for you. You’re having a hard time getting something going, because she’s so indestructible.”

In the end, Welshly Arms make audiences feel right at home by elevating their sound to a bigger and bolder stratosphere.

“No Place Is Home really showcases our love for music,” concludes Jimmy. “We approach things in different ways and push ourselves. We’ve moved up a grade as a band.”

“There are so many different turns on this record, as far as the sounds and themes go,” Sam leaves off. “‘Legendary’ was the first step towards something bigger. This shows our progression as a whole.”



The Glorious Sons' second full-length album, Young Beauties & Fools, is all about honesty.

More specifically, it's about exploring the adventures (and frequent misadventures) of main songwriter Brett Emmons in the truest way. It's also an album where The Glorious Sons — rounded out by Brett’s older brother Jay Emmons (guitar), Chris Koster (guitar), Adam Paquette (drums) and Chris Huot (bass) — capture all the listlessness and confusion of young adulthood in 10 doses of modern rock.

"It's basically the story of a 24-year-old kid,” says Brett. “They’re simple songs about alcoholism and the mostly autobiographical story of my life. The whole thing is derived from the thoughts, actions and feelings of a kid who doesn't really know himself and the consequences of those actions."

Glorious Sons’ hardscrabble tales come naturally. A high-spirited rock band with blue collar roots, they truly found themselves when Brett quit school in 2013 to join them as lead singer. Subsequent years of hard touring and hard partying — sometimes in places so sketchy, as Brett puts it, “There was no electricity in the building” — provided fuel for the songs on Young Beauties & Fools.

“It’s me writing about the things I’ve done, the things that have happened to me and my family, and the things that I think about,” says Brett.

Whether it’s the rock 'n' roll bender “My Pour Heart,” the not-so-classic boy-meets-girl story of “Josie,” or the deeply embarrassing punch-up at a wedding tale “Everything Is Alright,” Brett’s songwriting deftly explores the imperfect humanity of both himself and the many characters he introduces over the course of the album.

It wasn’t easy to capture that realness. The band wanted to range further, to grow and evolve from the successes of 2014’s The Union album. That record was an immediate hit on the Canadian radio rock landscape. Glorious Sons scored seven consecutive Top 10 rock radio tracks, won two SiriusXM Indie Awards (Group of the Year and Rock Group of the Year) and received a Juno Award nomination in 2015 for Rock Album of the Year.

Eighteen months of recording fits and starts led the band to Los Angeles to work with production team Fast Friends (Frederik Thaae, Ryan Spraker, Tom Peyton). It wasn’t until they started exploring a collection of old voice memos on Brett’s phone that they had their eureka moment. The subsequent creative outburst resulted in an album written in 12 days and recorded in 14.

“It was our first time working with these guys in the studio and we were still kinda feeling each other out,” says Brett. “There were times when it almost felt like a blind date. And we had been in the studio with a couple of other producers prior to that and went home empty handed. So after a few lukewarm conversations about ideas, I said to them, ‘Boys, can I show you something?’ I took out my iPhone and played ‘Josie’ and they just went fucking nuts. They wanted us to challenge ourselves as players and songwriters and pushed me to write from personal experience. After that, the hardest part of recording was choosing which songs to keep for the album. I’m forever grateful to them for teaching me to trust myself as a writer and help find that voice.”

There should be lots of opportunities to see Glorious Sons play the songs from Young Beauties & Fools. By their count the band has driven across Canada "at least 10 times" and played upwards of 300 shows to support their last album.

"You don't know what you’re going to get night to night from us," says Jay. "It's something you have to see and it's interesting and powerful."

"It's also an inch from either side of falling off the tracks every single night," adds Brett.

Which is perfectly fitting for a band living young and foolish.



Los Angeles by way of London Alternative Band Charming Liars have been building steadily since their inception. The band has been endorsed by no less an icon than Sir Elton John, who has featured the band's songs on his Apple Music "Rocket Hour" radio show. They have toured with a diverse array of acts such as Jane's Addiction, Night Riots, New Politics and You Me at Six. They are no strangers to big stages and have played at festivals both in and outside the U.S. With the upcoming release of addictive new single "Like A Drug" on April 6th through Chartmaker Inc., and an LP of new material in late June - the band is prepared to have a breakthrough year in 2018.

Charming Liars evolution began in London's West End when Karnig and Mike were still in their teens. They both came from homes with wide ranging and eclectic musical tastes, and that early exposure informed their approach to making music. They started writing and playing together in a series of bands and honed their musicianship with several tours up and down the U.K. In 2013 they decided to make the move to Los Angeles, in part spurred on by an encouraging social media message from songwriter and producer John Feldmann (Panic! at the Disco, Plain White T's, 5 Seconds of Summer, Blink-182) – who told them to look him up for a songwriting session if they were ever in town. They connected with Kiliyan through a mutual friend while he was attending The Musicians Institute in Hollywood. Through initial conversations that lead to songwriting and then recording sessions – the 3 realized that they had an organic musical chemistry that would lead to interesting possibilities. The current line-up was solidified.

Inspired by Alternative and Rock giants like U2, The Police, and Linkin Park, among others - the band pays tribute to their roots while carving out their own unique Alt.Pop sound. "We want to have a big effect on music listeners around the world," Karnig says, "whether it be through the feeling of the music, lyrical content, ideals or even simply friendship". Mike adds "We're most content when we get the opportunity to play the songs we wrote in a live setting. We take great pride in crafting our live show to reflect the recordings we so diligently work on in the studio, to really connect with our fans".

Having released a couple EP's since their arrival in the states, 2016 saw the release of their single "Soul" which reached number #40 on the Alternative Radio Charts and who's video has over 600,000 views on Youtube. A cover of Sir Elton's "I'm Still Standing" was released in the spring of 2017 in conjunction with the Grammy organization's MusiCares arm. The band continued to make inroads @ Alternative radio in the fall of 2017 with "Insomnia", which is still getting residual play at the format.

They have built a following with constant touring, and have played across the entire as well as South America, Mexico, the U.K. and Brazil. Their touring resume includes the Uproar tour, as well as opening for Night Riots, Kings of Leon, Weezer, and Jack White. To support the new "Like A Drug" single, tour dates are being booked for the summer.

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